admin tim
11-20-2009, 06:27 PM
From http://www.scholarsandrogues.com/2008/10/28/meanings-pt-1-post-oj-america/
One other possible, even likely, explanation for the popularity of the story of her death and others like it, the energy which feeds the news value, is that they ‘speak’ to a vital aspect of the human condition, an innate, morbid curiosity in death and mayhem, a compulsion of sorts that incites excitement and fear in exploring macabre topics such as death and horrible violence.
Mark Twain wrote in “Following the Equator,’ which was published in 1897: “The joy of killing! The joy of seeing killing done – these are the traits of the human race at large.” It is a disposition that has been described as “necrophiliac voyeurism.” There is nothing new here. In a review of Perry Curtis’ Jack the Ripper and the London Press, published in 2002, Richard Davenport-Hines writes: “When Tennyson and Jowett sat up late together, it was to talk of murders. The Victorians took a ghoulish pleasure in every phase of their more ghastly homicides; from the moment a corpse was found the hunt for morbid thrills was intense. After seven members of the Marshall family were hacked to death at Denham in 1870, ‘pleasure vans’ brought hordes of day-trippers from London to see the gore, and to purloin souvenirs. The Victorians were not dainty in their interest, and journalists were seldom squeamish in their reporting… executions generally fed a public appetite. Twenty thousand people went to watch William Palmer hang outside Stafford Gaol. Coventry Patmore’s rousing poem ‘A London Fête,’ describing ‘the wicked treat’ of a public hanging at Newgate, conveys the public’s ‘horrid thirst’ for gore.” One of the conclusions drawn by Curtis is that “Jack the Ripper” (whose name was almost certainly made up by a journalist at the Central News Agency) may not have been very good for the health of prostitutes but he was massively good for the health of newspaper circulation.
One other possible, even likely, explanation for the popularity of the story of her death and others like it, the energy which feeds the news value, is that they ‘speak’ to a vital aspect of the human condition, an innate, morbid curiosity in death and mayhem, a compulsion of sorts that incites excitement and fear in exploring macabre topics such as death and horrible violence.
Mark Twain wrote in “Following the Equator,’ which was published in 1897: “The joy of killing! The joy of seeing killing done – these are the traits of the human race at large.” It is a disposition that has been described as “necrophiliac voyeurism.” There is nothing new here. In a review of Perry Curtis’ Jack the Ripper and the London Press, published in 2002, Richard Davenport-Hines writes: “When Tennyson and Jowett sat up late together, it was to talk of murders. The Victorians took a ghoulish pleasure in every phase of their more ghastly homicides; from the moment a corpse was found the hunt for morbid thrills was intense. After seven members of the Marshall family were hacked to death at Denham in 1870, ‘pleasure vans’ brought hordes of day-trippers from London to see the gore, and to purloin souvenirs. The Victorians were not dainty in their interest, and journalists were seldom squeamish in their reporting… executions generally fed a public appetite. Twenty thousand people went to watch William Palmer hang outside Stafford Gaol. Coventry Patmore’s rousing poem ‘A London Fête,’ describing ‘the wicked treat’ of a public hanging at Newgate, conveys the public’s ‘horrid thirst’ for gore.” One of the conclusions drawn by Curtis is that “Jack the Ripper” (whose name was almost certainly made up by a journalist at the Central News Agency) may not have been very good for the health of prostitutes but he was massively good for the health of newspaper circulation.