Interesting.
Nigrosine ink was first produced commercially in 1867, and its use in letters purported to be of an earlier date than that is a sure sign of fakery. In fact, nigrosine inks should not really be found on letters prior to the 1869 issue adhesives. The nearly black color (actually a very dark lilac that does not change or oxidize over time, although it may dim through exposure to light) produced when the ink is first used was one of its key selling points. Other advantages are that it flows freely and does not corrode the pen. However, it never does reach the same deep black shade of a good iron nutgall ink and has the major disadvantage in being easily affected by wetting-it runs freely if dampened, one test that can be used in philatelic expertizing. Ink eradicators also easily affect it. Thus, it never received the popularity among businesses that it did among private citizens, another distinction that helps in expertizing.
The last quarter of the 19th century saw the introduction of a number of other synthetic ink colorants. Among these were the reddish eosines (1874), the sulphide inks (1873) such as sulphaniline black, the alizarin group (1868), which includes artificial madder, alizarin blue (1877), and the anilines. The earliest of the anilines was a mauve color discovered in 1856, but apparently not used for a number of years philatelically. The Hussey post was an early user of the handstamp inks, and he uses this color in late 1868. He appears to be using a synthetic blue ink by 1872. The change in colorants had a definite effect upon the writing inks and 20th century inks can be differentiated from those used on letters in the classic period. The change is already noticeable by the turn of the century. A survey of mail made at that time shows the following proportions:
Ink Type
Business Personal
Nutgall 83% 30%
Logwood 10% 45%
Nigrosine 7% 25%
Total 100% 100%
Nigrosine ink was first produced commercially in 1867, and its use in letters purported to be of an earlier date than that is a sure sign of fakery. In fact, nigrosine inks should not really be found on letters prior to the 1869 issue adhesives. The nearly black color (actually a very dark lilac that does not change or oxidize over time, although it may dim through exposure to light) produced when the ink is first used was one of its key selling points. Other advantages are that it flows freely and does not corrode the pen. However, it never does reach the same deep black shade of a good iron nutgall ink and has the major disadvantage in being easily affected by wetting-it runs freely if dampened, one test that can be used in philatelic expertizing. Ink eradicators also easily affect it. Thus, it never received the popularity among businesses that it did among private citizens, another distinction that helps in expertizing.
The last quarter of the 19th century saw the introduction of a number of other synthetic ink colorants. Among these were the reddish eosines (1874), the sulphide inks (1873) such as sulphaniline black, the alizarin group (1868), which includes artificial madder, alizarin blue (1877), and the anilines. The earliest of the anilines was a mauve color discovered in 1856, but apparently not used for a number of years philatelically. The Hussey post was an early user of the handstamp inks, and he uses this color in late 1868. He appears to be using a synthetic blue ink by 1872. The change in colorants had a definite effect upon the writing inks and 20th century inks can be differentiated from those used on letters in the classic period. The change is already noticeable by the turn of the century. A survey of mail made at that time shows the following proportions:
Ink Type
Business Personal
Nutgall 83% 30%
Logwood 10% 45%
Nigrosine 7% 25%
Total 100% 100%
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