THE ISLINGTON MURDER MYSTERY
‘Preface’
After quoting Charlotte Church, thereby hopefully demonstrating that he has outgrown his Spandex Bully phase, the author starts off gently, explaining how he stumbled across the Islington Murder in question. But even before he completes the first sentence, he has set his poor readers up for one of his characteristic orgies of verbose inconsequentiality. He describes the murder as ‘Edwardian, or rather Post-Edwardian* … ‘. Beware that * dear reader.
When the unsuspecting reader turns the page he’s confronted with an approximately 200-word footnote about what is the correct term to use about 1915 - which ‘period’ it sat in. Apparently ‘we are not allowed to call it the Georgian period’. Not allowed? Who issued that memo? Clearly quite a few didn’t receive it because the reigns of George V and VI were occasionally referred to as ‘Georgian’, especially in respect of a particular school of poets of the period. Numerous volumes of ‘Georgian Poetry’ were published between 1910 and 1922.
I won’t go into all the waffle he indulges in to explain that he doesn’t really know what ‘period’ the murder took place in. Who cares? JUST GET ON WITH THE MURDER MYSTERY!
It’s on the second page of the preface that the author refutes his divinity. He’s not god, he humbly submits (but you get the impression that he’s probably thinking to himself, ‘but then god isn’t a peer of the realm’.) Of course you’re not god, M’Lord, because if you were you’d be omniscient and you would have heard about the Georgian poets, Old Bailey, the equestrian use of one-off etc and you’d be familiar with your 12 and 20 times tables.
Don’t despair, prospective reader, things do get better.
‘Preface’
After quoting Charlotte Church, thereby hopefully demonstrating that he has outgrown his Spandex Bully phase, the author starts off gently, explaining how he stumbled across the Islington Murder in question. But even before he completes the first sentence, he has set his poor readers up for one of his characteristic orgies of verbose inconsequentiality. He describes the murder as ‘Edwardian, or rather Post-Edwardian* … ‘. Beware that * dear reader.
When the unsuspecting reader turns the page he’s confronted with an approximately 200-word footnote about what is the correct term to use about 1915 - which ‘period’ it sat in. Apparently ‘we are not allowed to call it the Georgian period’. Not allowed? Who issued that memo? Clearly quite a few didn’t receive it because the reigns of George V and VI were occasionally referred to as ‘Georgian’, especially in respect of a particular school of poets of the period. Numerous volumes of ‘Georgian Poetry’ were published between 1910 and 1922.
I won’t go into all the waffle he indulges in to explain that he doesn’t really know what ‘period’ the murder took place in. Who cares? JUST GET ON WITH THE MURDER MYSTERY!
It’s on the second page of the preface that the author refutes his divinity. He’s not god, he humbly submits (but you get the impression that he’s probably thinking to himself, ‘but then god isn’t a peer of the realm’.) Of course you’re not god, M’Lord, because if you were you’d be omniscient and you would have heard about the Georgian poets, Old Bailey, the equestrian use of one-off etc and you’d be familiar with your 12 and 20 times tables.
Don’t despair, prospective reader, things do get better.
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