Originally Posted by Jonathan Hainsworth
Historical methdology teaches us that tales told from a great distance from their origin, which make a source look better about a public debacle, however unfair, have to be treated with great caution.
Actually, Jonathan is perfectly correct, but the operative word is "caution". And questions to be asked of such a source is what the distance from the event to the telling actually is, how close to the event the source was (i.e., did he take part in it? If not, how and from whom would he have learned about it? How honest/accurate was that person? And so on. Also, if the source looks better because of what he says, is that intentional/characteristic of the source, and, if so, was is the source otherwise boastful to the point of dishonesty, is he boastful at all, does any perceived boastfulness come from an honest and understandable desire by the source to describe the historical events through which he lived and in many instances participated?
The word is caution, not disbelief.
Even the argument that memoirs are unreliable because the author will usually paint himself in the best light possible, doesn't necessarily mean that the incidents described didn't take place.
In the case of Anderson, in the land of "the buck stops here" as head of the C.I.D. Anderson was ultimately responsible for the conduct of the Ripper investigation and would have to accept the criticism, but in the real world he was abroad for most of the time and took hands-on responsibility for the investigation from October 1888 onwards. He didn't really have much to feel responsible for. Moreover, the crime figures, as he gives them, show a marked improvement from 1889 onwards, so he had much to be proud of. Furthermore, assuming his story is correct even in it's simplest fundamentals, there was a suspect who was committed to an asylum before he could have been brought to court. Anderson need have said no more. He certainly didn't need to invent a story about an eye-witness who his fellow coppers and the press knew didn't exist and on which he could have been required to give the facts.
Historical methdology teaches us that tales told from a great distance from their origin, which make a source look better about a public debacle, however unfair, have to be treated with great caution.
Originally posted by Jeff Leahy
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The word is caution, not disbelief.
Even the argument that memoirs are unreliable because the author will usually paint himself in the best light possible, doesn't necessarily mean that the incidents described didn't take place.
In the case of Anderson, in the land of "the buck stops here" as head of the C.I.D. Anderson was ultimately responsible for the conduct of the Ripper investigation and would have to accept the criticism, but in the real world he was abroad for most of the time and took hands-on responsibility for the investigation from October 1888 onwards. He didn't really have much to feel responsible for. Moreover, the crime figures, as he gives them, show a marked improvement from 1889 onwards, so he had much to be proud of. Furthermore, assuming his story is correct even in it's simplest fundamentals, there was a suspect who was committed to an asylum before he could have been brought to court. Anderson need have said no more. He certainly didn't need to invent a story about an eye-witness who his fellow coppers and the press knew didn't exist and on which he could have been required to give the facts.
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